Artur
搜索"Artur" ,找到 21部影视作品
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约翰·休斯顿
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弗雷德(亨弗莱·鲍嘉 Humphrey Bogart 饰)和鲍勃(提姆·霍尔特 Tim Holt 饰)是两名穷困潦倒的流浪汉,一日,在酒吧中,他们琉璃免费观看电视剧全集从精明智慧的霍华德(沃尔特·休斯顿 Walter Huston 饰)口中听闻了有关金矿的消息,走投无路的两人打起了淘金的主意,他们谎称是天天美剧网猎人,驻扎在了山上。经历了种种苦难的挫折,幸运的三人找到了金矿。然而,随着金砂数量的增加,原本相互信任的三人之间出现了裂痕。
在一次下山采购的过程中,名叫科迪(布鲁斯·班尼特 Bruce Bennett 饰)的年轻人发现了他们秘密,跟随而来的科迪表示想要从中分一杯羹,神探夏洛克第三季三人决定杀之而后快。就在这个节骨眼上,一群土匪开始向山上进发,他们想要的是这三个“猎人”狩猎得到的“兽皮”。在种种阴谋和贪婪本性的趋势下,本来有着美好前景的三人走向的破灭的结局。
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Guilherme Fiúza Zenha,Artur Costa,Carlos Daniel
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Chef Jack and his assistant Leonard will travel through t春潮浪漫海棠红he Culinary Islands to part媳妇的美好时代 电视剧icipate in the biggest gastronomic competition in t南国论坛he world and, thus, try to defeat their opponents
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艾瑞尔·罗特
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2007柏林电影4399电影网在线观看节评审团奖。 讲述一个变换身份的神秘人的故事。像往常一样,某天去另一个国家出差,却变成了另一段旅程的开始:当他到达他的目的地时,Juan Desouza发现他身边一位男子已经死亡。鬼使神差的,像进入一个游戏世界一样,他决定用这个人的身份,为自己找一份工作,找一个地方栖身,并且不希望回到过去的生活。 在他的这种新生活里,在可能的状态下,在没有目的的情况下,这个男人开始了一段探寻本性的冒险。为了重新发现他的人生观,他用自己最基本的本能,试图领悟他对生活的理解。对他来说,他选择什么生活,他为什么活着,绝不是只有一种可能。比思特区论坛 此片由德法与阿根廷合拍,艾瑞尔-罗特为阿根廷青年导演兼编剧,继2001年推出《Sólo por hoy》(生活在他方)后,此次艾瑞尔-罗特带着《El otro》再次来到柏林。该片其导演的第二部作品。Julio Chávez曾凭借在玛莉亚.卢萨.贝姆1982年执导的文艺片《Senora de nadie》(无丈妻身),在巴傅廷远和俞恩全文阅读拿马影展中获得最佳女演员奖,该片堪称八十年代阿根廷电影的经典之作。其出演的影片《守护者》是56届柏林电影节参展影片。
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Paul,Thomas
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Phil enjoys watching his wife Diane using her killer 西门庆和潘金莲电影looks to seduce men they don't know. Diane is also thrilled by her actions, knowing that she's fulfilling her husband's voyeuristic pleasures. When she meets Mickey, she discovers that he is a man who follows no rules but his own. The games of seduction become m999saoore and more perverse, and dangerous.
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山姆·伍德
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故事发生在1937年西班牙内战时期,在纷飞的战火之中,一位来自美国的名叫罗伯特(加里·库柏 Gary Cooper 饰)的男人,他的身影时常活跃在前线,带领着西班牙人民抗击当地法西斯的残暴统治。他们炸火车打巷战,打得敌人节节败退。 这一天,罗伯特接手了一个新的任务,和一支由民兵自发组成的游击队联手,炸掉敌人前来攻打必经之路上的一座铁桥。在此过程中,罗伯特邂逅了名为玛利亚(英格丽·褒曼 Ingrid Bergman 饰)女孩。玛利亚曾经是市2022辽宁春晚节目单长的女儿,过着幸福美满的生活,然而战争摧毁了她的家庭,不仅让她失去了父母,自己也惨遭侮辱。共同的革命信念让罗伯特和玛利亚很快就走到了一起。
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Radványi,Géza
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Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The chi疫情期间拿下老妈ldren do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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胡安娜·马西亚斯
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Maca (María Valverde), 30 years old and clumsy by nature, makes the most of life and strives to be happy. Maca's talent is wasted working as an assistant for an oppressive and terrifying fashion influencer and she spends her time with guys with whom she never manages to establish an emotional bond. Together with Jimena (Elísabet Casanovas) and Adriana (Susana Abaitúa), her two unique and lovable friends who are always ready to do whatever it takes to make their problems not seem so bad, Maca has managed to 中文无码不卡的岛国片make Madrid a city where everything is possible. Everything seems to be going well until he-who-must-not-be-named comes back into her life. Leo (Alex González), the love and biggest mistake of her life, the man who tore致我们暖暖的小时光电视剧免费观看 her heart apart, obliterated her self-esteem and her faith in men, comes back into her life to turn everything upside down. Maca has tried to forget him, but now she has to accept that he has returned and face the emotions she has locked away to deal with the unforgettable memory of what could have been and never was. Old wounds are reopened and Maca will have to be brave and confront her conflicts, fears and insecurities in order to finally take control of her life.
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罗纳德·D·摩尔,艾伦·考特勒,塞尔吉奥·米米卡-戈赞,蜜拉·梅农,约翰·达尔
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Apple的流媒体平台AppleTV+旗下上海汽车影院自制剧——太空科幻剧《为了全人类》(For All Mankind)发布预告,这是AppleTV+旗下首部曝光预告的剧集。
该剧由乔尔·金纳曼、莎拉·琼斯(《诅咒》)主演,讲述美国在太空登月竞争中输给了苏联,NASA宇航员们要向火星等更远的地方探索的故事。剧集主创为《太空堡垒卡拉狄加》的幻想剧大手罗纳德·D·摩尔,《冰血暴》制片人马特·沃伯特&本·纳蒂维参2013春晚直播与创作。共10集,AppleTV+将在今年秋天上线,具体时间未定。
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维果·莫腾森
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影片讲述了发生在19世纪60年代美国西部边境的一对恋人的故事。薇薇安·勒·库我的好妈妈8高清免费观看迪是一位非常独立的女性,她与丹麦移民霍尔格·奥尔森展开了一段恋情。在旧金山遇到奥尔森后,她同意和他一起前往他位于内华达州埃尔克弗拉茨附近的家,并在那里开始了共同生活。内战爆发后,奥尔森决定为联邦军队而战,两人遂分离。这使得薇薇安不得不独自生活,面对腐败市长鲁道夫·席电视剧玉碎勒和他不择手段的商业伙伴、强大的牧场主阿尔弗雷德·杰弗里斯控制。而且,阿尔弗雷德儿子韦斯顿性格暴躁、不守规矩,他对薇薇穷追不舍,而薇薇安则坚决抵制他的不轨追求。战争结束后,奥尔森归来,他和薇薇安必须面对并接受彼此已经变成的样子。