Aldin
搜索"Aldin" ，找到 17部影视作品
导演：
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Marcus Baldini
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还是高中生的时候，她在学校里经常被欺负，在家也和家人不和，一气之下离家出走，专门跑去一间妓院找工作。17岁，成了妓女，她将名字改成布鲁娜（Deborah Secco 饰）。布鲁娜工作用心、敬业，又年轻漂亮，很快成为红牌，和同行们也交上朋友。一次藏毒风波，布鲁娜带着几个好友独a4yy万利达影院官网立出来另立门户，她开设了一个博客，迅速走红网络，慕名而来的听风者 下载客人络绎不绝。事业蒸蒸日上，财源滚滚不断，甚至上了电视节目，成了明星，布鲁娜却开始迷失，她沉迷毒品，找不到方向，客人开始离她而去。幸而她的第一个客人始终陪在她身边不离不弃，她发现自己心中的爱，也再度振作起来，决定“退休”的同时，也勇敢写出自己三年来的故事……
本片改编自巴西“名妓女变畅销作家”的真实故事。
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帕特·奥康纳
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故事发生在1957年的英国，本尼（明妮·德里弗 Minnie Driver 饰）和伊芙（Geraldine O'Rawe 饰）和她们的小学同学南（萨弗蓉·布罗斯 Saffron Bnba直播免费高清在线urrows 饰）重逢了，借由南，一位名叫杰克（克里斯·奥唐纳 Chris O'Donnell 饰）的男子介入了两人的生活。
杰克被热情活泼的本尼深深的吸引，向她展开了热烈的攻势，没过多久，两人就走到了一起。与此同时，南也遇一本之道高清www在线观看见了年长且富有魅力的西蒙（科林·费斯 Colin Firth 饰）。然而，内心复杂的南在天主教观念的趋势之下勾引了杰克，两人发生了关系，本以为只是一场露水情缘， 可是南却认真了起来，甚至逼迫杰克和她结婚。面对虎视眈眈的南，杰离别也是爱克会为自己的行为付出怎样的代价呢？
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皮埃尔·费尔德斯
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一只流浪猫，一只喋喋4399手机在线观看免费不休的大蟾蜍，和一场海啸促使一个无抱负的推销员，和他深陷沮丧的妻子大浴女演员表以及有着精神分裂的会计拯救东京幸免于一场地机械画皮在线观看震，他们也因此找到了人生的意义。
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莎莉·波特
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电影导演莎莉（莎莉·波特 Sally Potter 饰）在创作新剧本时遇到了灵感堵塞，她烦恼不已，却又无济于事。在观看一场激情肆意的探戈舞演出后，莎莉被深深感染，仿佛找到了一些灵感。她决心暂时抛下工作，开始学习探戈舞。她去巴黎旅行遇上了有名的探戈舞者帕布罗，被他的舞蹈所吸英雄第一季下载引。于是提出让他在自己的下部电影里演出，以帕布罗教她跳舞作为交换条件。莎莉越来越沉迷于探戈舞，在与帕布罗学习探戈的过程中，他们彼此爱上了对方。但来自不同文化背景的两人，性格有着极大的反差：来自南美的帕布罗有着强烈的控制欲，他习惯掌控选舞、音乐等一切细节，甚至包括与莎莉的爱情；而作为女性主义者的莎莉却是决定帕布罗参与她的影片的关键人。两人之间的关系时而紧张，时而悠然，一场爱情之战悄悄开始。
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Rudi,Rosenberg
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Benoit, the new kid at school, is bullied by a gang of arrogant boys. Determined not to be pushed around, Benoit organizes a big party, but only three students turn up死神剧场版3. What if this bunch of losers was to be the best gang ever Korean Movie 23zzw.com
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约翰·法罗
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Righteous district attorney Joseph Foster's main goal in life is to rid his city of the gangsters infesting it. In order to be even more efficient in his war against crime he plans to run for 花木兰下载governor. One day he meets a strange, shadowy man, Nick Beal, who offers to help him to achieve his end. Beal convinces hesitating Foster by dint of easy money, easy sex with an alluring young woman and the promise of easy success. Joseph Foster soon becomes an influential politician but a corrupt one. A minister of God manages to show him that he has been the plaything of the so-called Nick Beal, who might be Old Nick , that is to say Satan himself. Foster th间谍过家家第八集en decides to resign and to become an honest man again.
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Edward,L.,Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescu妈妈的朋友 中文字幕e of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first 黑帮老大的365天恋爱hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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菲利普·格朗德里厄
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A car, following the Tour de France. Children screaming in f天堂网在线最新版ront of the puppet show. Women, often prostitutes, trying to scre南宁护士门 下载am as they are being strangled. Then he will meet Claire, the virgin who will give herself to him, and perhaps deliver him from his malediction. Written by Gregoire Dubost {gregoire.恩啊在楼梯上边走边做dubost@polytechnique.fr}
